Chamber
concordia [temporum] (2022) – Picc/Fl/B.Fl, B.Cl, Vln, Vla, Vc, Pno.
Tor (2022) – Rec, Picc/Fl, Fl/A.Fl/B.Fl, Perc, Vc.
Displaced bodies, weapons of action (2020) – Picc/Fl/B.Fl, B.Tbn, Vc, Pno, x2 Perc.
That ferocity within (2018) – Fl/A.Fl/Picc, Ob, Pno, Perc.
Metamorphosis (2017) – Ob, B.Cl, Vln, Vc, Perc.
Aposiopesis (2017) – Saxophone quartet.
The Sleep of Reason (2016) – Fl/Picc, Cl/B.Cl, Vln, Vc, Pno, Perc.
Unravelling Graphite (2014-16) – String quartet.
Duo
Passacaglia (2021) – Vln, Percussion.
Nest of gravel (2020) – Pno, Percussion.
Call to arms (2020) – B.Tbn, Percussion.
“At least so far…” (2019) – Soprano, Percussion.
Dust, dew (2018) – Eb Cl./B.Cl, Percussion.
Between giants (2018) – Uilleann Pipes, Recorders.
Territory ; terrain (2018) – Vla, Ob.
Babbling House (2016) – A.Sax/S.Sax, A.Sax/T.Sax.
Solo
Fourteen transcriptions from across the plane (plain) (2023) – Piano.
Three folk songs (2022) – Babel Table.
Cadenza (from Tor) (2022) – Recorder(s).
Convergence (from Tor) (2022) – Cello.
unmade ; object (2022) – Double-bell Trumpet.
There is no now (2021) (Bragg, G’Froerer, Hughes) – Double-bell Trumpet (Score – Max Patch).
Subdue (2020) – Clarinet in Bb.
Fabric [as part of the collaborative Bloodpaths project] (2019) – Piano.
“At least so far…” (2019) – Soprano.
Elegy for Chamberlain (2014) – Soprano.
Orchestra
Ochrelîla (2016) – Orchestra.
Jakob Bragg 